Suddenly, I wanted to become the heroine of this picture and attempt to tame the dragon. The shield held by the woman in the picture inspired me. I have my stained glass "Sunrise Flower" (2010), which has the shape of a shield and of which I am proud. It's my emblem. I decided to stylize myself in the main role. With silver hair and a rather plump figure, I left the silhouette, removed the hood, and stood before the dragon with uncovered silver hair. The dragon didn't expect anything like that, and all its heads stared at me in curiosity. I started sprinkling luminous crumbs of coloured glass before me, which put the dragon into a humble state. That's my plot.
I love the delicate work of powdered glass; I've been using this my own technique for eleven years. But I've never done anything thinner than my own shield. I redone it eight (!) times. It's the best my hand could do. Believe me, it's very delicate work. I apply small details on the front, and color them on the back. The thickness of the layer of glass powder is approximately 4-5 mm, and I fused it in one go. Unfortunately, there are bubbles on the edges of the work. The woman, that is, me, turned out well. The dragon has bubbles.
But the miniature, 6.5" x 8.5", is simply charming. I really like it. I decided to create three identical miniatures and test them on different thermal profiles to find the best one. The experiment will be called "Taming the Apocalypse Dragon."
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